Out with the old…

I’m working on a new project. I gently started writing it last fall and it’s slowly coming into its own. Along with the shape this project is taking comes a massive amount of imposter syndrome.

Who am I to tell this story?

Who would even read this boring drivel?

Why did I ever think I could write a second book?

And on, and on… Truth be told, that part hasn’t been so fun.

It’s a raw project– sometimes, as I type things out, I question if I’m ready to take such a journey. Faintly I remember feeling that way with Girls, Assassins & Other Bad Ideas so in this (at least in this area) I’m confident that I’m ready enough. I do wish I loved the process. While it feels so good, and productive, to be writing regularly again I am really struggling to see past the voices questioning me every step of the way.

To combat the voices I’ve begun reacquainting myself with poetry and that part I am loving! (Shhh! Don’t let the manuscript know!) I’m pretty sure, at this point, that whatever this finished project looks like, poetry will play a part.

As you read this please consider sending me all of the good vibes you can manage! Imposter syndrome is this very terrible thing we all deal with at different times in our lifetime. It’s not even altogether an unhealthy thing, it simply comes with the territory of putting ourselves into something. Thanks for the vibes, if you ever need me to I’d be happy to return the favor!

July moments…

I have procrastinated this July lesson post because I’m just not in the mood. I’m tired. I’m stressed. In these two ways, I am just like the majority of us… I get it. This month felt long, short, and like it dragged on forever while it also somehow sped by in a blink. My biggest adult lesson may eternally be that the passage of time makes no sense. I thought I was getting the hang of it until 2020 hit and messed us all up.

  • I learned that I may get super tired of drinking water so often, but when our water cooler died I became a woman who has never craved water more… make it make sense.
  • I took our dog Elenor and our cat Darcy to the vet this month. They each needed vaccinations and our vet is a bit of a drive. What’s the big deal? I thought… The cat is in a carrier. It will be fine. It, in fact, was very barely fine and I’m still regretting the decision days later. I learned never to do that again. Separate visits and making the drive twice are the new way to go.
  • I’ve been planning my book launch event, in another state. It seemed easy enough, but it turns out it is very complicated and the next time I plan to travel home, it will not be for an event. I’ve learned my lesson.
  • I released a small number of book boxes for my up-and-coming memoir Girls, Assassins & Other Bad Ideas. I am obsessed with this activity–it’s safe to say it is bringing me life right now… BUT while I figured I’d planned far more than would sell, it turns out I didn’t plan near enough. I am deeply touched, ecstatic, and humbled by the whole thing. I’ve learned not to sell myself short and to not be afraid to go for it. (May we all learn this lesson!)
  • I’ve learned to do the spontaneous thing sometimes. I have practiced spontaneity in several areas of my life this month and haven’t regretted it yet. In fact, it made the best memories!

July Bests…

  • Movie (New): NOPE
  • Movie (Older): Red Dawn
  • TV Binge: Stranger Things 4:2
  • Read: Every Summer After by Carley Fortune… Pretty predictable but also nostalgic, fun, and a great summer read.

Ink…

In what feels like another life, I hated writing in pencil. I hated how the tip felt, whether sharp or dull, as it glid across the page. I’m unsure what my issue was, or exactly when it changed. One day I was a devoted pen user, cringing with the equivalence of nails on a chalkboard at the very thought of using a pencil, and then one day it seemed I could only write in pencil. To say writing anything in pen spurred a sense of anxiety wouldn’t be a stretch.

Maybe you’re reading these words and thinking this all sounds pretty unimportant, but I can tell you that isn’t how it felt.

I belong to a doodling community and our beautiful leader is always encouraging us to doodle in pen, focussing on fun over perfection. Listen, I get it. I take every single one of these workshops with my pencil in hand and I guarantee perfection is still the farthest thing from my outcome. Is it fun? Cathartic? YES! This is why I stay in the community… Even so, every time we gather together, I’m the one lone creator not using ink. To be honest, I don’t see that changing… Sometimes I have tremors, sometimes my vision is so wonky, and sometimes there seems to be a foggy disconnect and everything I draw out is so grotesquely unsteady. In this setting, I don’t mind being the mechanical pencil-carrying odd man out. This is where I’m comfortable…

Comfort.

There is an odd sense of comfort in the ability to erase. Back, those years ago I perhaps lived within a confidence that disregarded room for error. Looking back through old notebooks and journals I see so many black ink (always black) scratch-outs. I didn’t care. Sometimes still, even with a pencil, I will scratch through an error, out of habit, rather than erasing it.

What brought the change?

This morning, as I sipped my cup of tea and engaged in my morning quiet time, I chose to boldly journal in pen. (If you’re wondering where the deep, thoughtful pondering of this very boring personal preference came from–now you know.) Ultimately my question became one of searching for when this changed and why. Maybe you’re one who just jots things down with whatever instrument is near, so the very idea of talking this out seems asinine. I get it. As a writer, I remember feeling far more intentional purpose with my pen in hand than I’ve ever felt with lead. Something shifted in me, years ago, and I want that girl back…

Or at least the inky version of her.

Sometimes habits shift so subtly that we aren’t even aware of the depth of the shift until much later. For me, it feels important to understand it, to understand what moves these shifts in me… On the surface, a change in us can feel trivial, but sometimes when we dig deeper we may learn something that ties to a much larger issue, aching, or need. One way to practice self-love is to spend intentional time connecting with ourselves, giving the type of attention to detail we often hope others will have.

Dreaming…

For several weeks now I have been having intense and realistic dreams. Many of them were taking place in my grandmother’s home–a space that held the majority of my happy moments growing up. Her home was more my childhood home than my address on file with the school.

When I was twelve and went into the group home I’d spend the rest of my adolescent years in, roommates would often ask each other to describe what home looked, smelled, and felt like. Countless nights had me drifting to sleep, her place whose memory I conjured. When the rare, annual trip home would happen, I’d trace my fingers on walls and shelves, seeing what I’d remember well, what had changed, and memorizing everything else.

In that context, dreaming of her house may not seem out of place, but it is the vivid, all of a sudden, every night venture that has caught me off guard. Every morning I wake, a swirl of sadness that the moments weren’t real, and gratitude that they lived in my brain somehow.

Last night’s foray into vivid dreams had me somewhere I’d never been before, with my mother. She was frail and partly Alzheimer’s riddled, while also somehow still present too. All over this series of rooms she seemed to be living, were boxes, binders, and massively stuffed envelopes filled with photos and papers. There was no rhyme or reason to the packing and I became consumed with the quest of finding letters I’d sent to her when I was a teenager. The interactions with her were guarded (on my part… old habits and all) and sporadic. I knew she couldn’t know I was searching for anything relating to me. I was consumed with my hunt, but began to notice that I still kept my eyes trained on her… on how she seemed to morph, changing in subtle ways, minute by minute. I would pause my rummaging to stare at her–absorbing the fluidity of her presence. Eventually, I came upon a series of photos of a little girl with her red-headed cousin. I knew they should have been me and mine, but the faces were very wrong. When I couldn’t stay quiet any longer I asked her who they were.

“My baby girl and my nephew.” she answered flatly, as though this were the obvious answer and I was an idiot. This response aligned with the truth of her, but her words were not who we were at all.

The more photos I found had the same child–not me.

Never me- me who is her likeness in so many facial ways.

Finally, returning to the search for letters, I came across a bulging manila envelope with “Nora’s Memories” written on top. I looked around at the stacks and piles of snapshots mixed with chaos, and asked her “Mom, are these your memories?”

“Yes, ma’am. Everything I know.”

I had just pulled out my phone to record her, an interview I think, when I woke up. I was mad that I’d left that bizarre place, but also sad over how time there had left me feeling.

Are these strange, nightly ventures happening as my psyche processes the release of my memoir? Is it tied to the grief of losing her? I feel like I’ve been processing this book for so long, that answer doesn’t seem right… but also, then why?

Here’s to hoping a nap later has me dreaming of resting seaside. Peace-filled.