We are the stories we tell ourselves…

As a newlywed who babysat in my home, in the afternoons, I fell hard into the soap opera world. In the evenings, over dinner, I would tell my husband all about these fabulous stories and rich characters my daytime hours were filled with. One day, home from work for some reason, Chw caught an episode of All My Children with me (my very favorite) and he was hooked. That was all it took. Sometimes he’d watch recordings, but most of the time he’d simply ask what was going on with the characters he’d also grown to love.

One day I learned a good friend of mine recorded AMC every day to watch in the evening as she ironed. While I’d thought we were good friends before her confession, my love and respect for her blossomed even more after. Eventually, life would happen and I wouldn’t be able to faithfully tune in, but after time away I could easily pick back up later. My very favorite character was Dixie Martin, played by the amazing Cady McClain. There was something about her performance that really drew me in. Many years later I picked up a copy of her memoir Murdering My Youth when I realized a possible reason why, in a sea of women on TV, I’d felt drawn to Cady. Sometimes the wounds deep inside recognize fellow survivors.

Cady has been that sort of full-circle gift for me.

This week’s guest on the Rainy Day Collective Podcast is Cady McClain!

Cady McClain is a history-making three-time Emmy© Award-winning actress. She is the first

woman to have won three Emmys© for three different characters on three different television

shows: All My Children (Best Juvenile, 1991), As the World Turns (Best Supporting, 2004), and

Days of Our Lives (Best Guest Performer, 2021). Her feature directorial debut, Seeing is Believing: Women Direct (featuring Lesli

Linka Glatter, Sarah Gavron, and Naima Ramos Chapman, among others) won Best

Documentary Pro Action at the Artemis Women in Action Film Festival, the Audience Award at

the SOHO Film Festival, a Jury Prize at the Newport Beach Film Festival, and Best

Documentary at the Ridgewood Guild International Film Festival. The film is now distributed

on PBS and the educational online platform, Kanopy. She was honored to be awarded the

International Matrix Award for her work related to supporting the female voice in film and

television by the Association of Women in Communications. An Ambassador for Kids in

the Spotlight (a foster youth filmmaking program) she is also the Artistic Director for Axial

Theatre in Westchester, NY. She teaches acting at Michael Howard Studios in NYC.

Cady opens up a bit about her journey and what it has looked like to follow her dreams–sharing about the recent loss of her best friend Rhonda. Cady gives us a beautiful conversation that is sure to inspire us all.

Important Links:

⁠Cady McClain website⁠

⁠Cady McClain Instagram⁠

⁠Cady McClain Twitter⁠

⁠Kanopy⁠

hello, darkness…

I wrote about my mom’s relationship with a married man and how that played into her mental illness, in my memoir Girls, Assassins & Other Bad Ideas. One fact I’m continually reminded of is that so often, as children living in our childhoods, we can’t recognize dysfunction for what it is because we lack any context to compare it to. “Normal” is just what’s regular for us. It wasn’t until I was working on my book that I was able to see the bouts of depression my mother went through, so clearly.

If you haven’t read the book yet (and you totally should! ;) ) then the quick context is that my mother was in a relationship with a married man who worked for the railroad. His wife and family lived in El Paso Texas, whereas my mom and I lived in Lordsburg New Mexico. His job literally had him taking the train back and forth, and my mother’s moods were completely wrapped up in whether he was there with us, or not. When he was gone my mother wouldn’t bathe or get dressed. Not only would she not eat, but it fell on me to figure out what I would eat. She did make sure the options usually available to me were things she knew I didn’t like. If she was miserable then she wanted everyone around her miserable too. On these days she’d be naked beneath her house robe, chain-smoking with the shades drawn. The endless supply of Dr. Pepper in her glass would be the only thing motivating her to get up off the couch unless, of course, she could have me refill it for her. She’d watch hours of Perry Mason or Dragnet on repeat when they were available. When they weren’t, she’d switch the channel to classic movies. When word came that he was headed back to us, she’d take a bath, clean the house while dancing to her favorite records, and visit the grocery store. She’d get her hair done at the beauty shop and apply makeup to perfection. The smile on her face was radiant… She was, quite literally, a kept woman whose entire world revolved around the scraps that a married man would give her.

For a huge chunk of the twenty-eight years my husband and I have been married he traveled for work. Sometimes he’d been gone a week, and other times longer. Always an avid believer that I struggled when my routine changed, the first few days that he was gone would always throw me into a slump. I’d lack any motivation or emotional energy. It wasn’t that I was lost without him as much as I became overcome by this dense cloud that seemed bigger than me, and I couldn’t control this reaction. Sometimes he’d go through a few months of no travel and I’d forget about the odd way my soul seemed to shut down when he left town–until he’d leave town again anyway–and then I’d be back there in that dark pit. After a few days the thickness would part, I’d get up and go on with my life. Those following days felt like the ultimate in thriving…

It made no sense.

Chw stopped traveling for work several years ago, much to the happiness and relief of both of us. Recently though, he had the opportunity to take a pretty incredible trip for work. I was so happy for him, and I began making a list of all of the things I’d accomplish while he was gone. There was some reorganizing and spring purging, reading, writing, and a few misc. things I planned to get up to… Until he walked out the door.

And then I just couldn’t. I could not move past it. I couldn’t bring myself to do anything beyond what I had to do. My brain ceased to function, everything so foggy… My body felt like every step probed through the thickest mud. I couldn’t bring myself to focus on much of anything… those best-laid plans were a waste.

At first, I blamed the intense snowstorm we’d had the day before, followed by the snow which has been gently piling on top of it ever since.

I was tempted to blame my chronic illness, because quite often it’s the cause of similar issues, though this time felt bigger than that–more in control of me than those flare-up days.

And then, in a whirlwind during the Oscars on Sunday night, when The Daniels, and then Michelle Yeoh, were talking about mothers I thought about mine. I thought about those times when he was gone and how she melted into this other thing–this darker, helpless thing. I thought about how she was a kept woman, something I’ve always feared I’d be and have tried so hard to never become. (though repeated infidelity and so many of my things often being put on the back burner for my husband’s career haven’t really done my inner demons any favors in that department.) This is the point when I realized, as though I were in my very own Everything, Everywhere, All At Once multi-verse jumping moment, that this inversion that cripples me those first few days when Chw is gone IS my mother. It is what I learned from her, subconsciously. It was written into my psyche in such a developmental way that I could not see before.

I’m turning forty-seven in a couple of weeks and it’s really interesting that even still I’m learning and unlearning… Perpetually feeling fourteen and wondering when I’ll get my act together and be a functioning adult. Maybe we all are, in one way or another.

Out with the old…

I’m working on a new project. I gently started writing it last fall and it’s slowly coming into its own. Along with the shape this project is taking comes a massive amount of imposter syndrome.

Who am I to tell this story?

Who would even read this boring drivel?

Why did I ever think I could write a second book?

And on, and on… Truth be told, that part hasn’t been so fun.

It’s a raw project– sometimes, as I type things out, I question if I’m ready to take such a journey. Faintly I remember feeling that way with Girls, Assassins & Other Bad Ideas so in this (at least in this area) I’m confident that I’m ready enough. I do wish I loved the process. While it feels so good, and productive, to be writing regularly again I am really struggling to see past the voices questioning me every step of the way.

To combat the voices I’ve begun reacquainting myself with poetry and that part I am loving! (Shhh! Don’t let the manuscript know!) I’m pretty sure, at this point, that whatever this finished project looks like, poetry will play a part.

As you read this please consider sending me all of the good vibes you can manage! Imposter syndrome is this very terrible thing we all deal with at different times in our lifetime. It’s not even altogether an unhealthy thing, it simply comes with the territory of putting ourselves into something. Thanks for the vibes, if you ever need me to I’d be happy to return the favor!

happy birthday you…

I heard her laugh often.

I saw her mean.

I watched her love.

I learned from her silent action to do for someone else. Always. Always for someone else.

She was not of the generation that considered the idea of self-care.

I loved the way her wrinkly fingers would wash my lips after we ate Sunday dinner until I believed I was too old for such childishness. Then, one day I missed the way those fingers felt.

She knew all of her neighbors, what they loved, who they knew, and the happenings of their daily lives.

She believed in strong opinions but did not believe in gossip.

She did not trust easily or shower others with frivolous kindness.

A product of the Great Depression left her feeling generous while often she kept closed fists. Such standards were different and should be seen as such.

She loved a bargain, even on something she’d never actually use. Her youngest daughter criticized this for decades until she too one day fell in love with an unbeatable deal she couldn’t pass up. It’s a gateway buy it seems, because the baby of the family was soon snatching up any amazing deal she saw too.

Her widowhood had her mixing and pouring her own cement, doing hard labor her 4-foot frame didn’t seem cut out for and proving to the entire town how beyond capable she truly was. Everyone constantly remarked on this, to which she’d simply shrug as if to say “you do what you have to do, end of story.”

She hated to miss church on Sunday and never missed a day of prayer or Bible reading.

If a broom dropped in the kitchen she set out preparing because company was coming.

Spilled salt was always thrown over her left shoulder… superstitions were strong and she acted in accordance always.

I can still her voice singing How Great Though Art in my left ear, as though we were sitting in her little yellow New Mexico church and no time at all had passed.

In the last years, frailty and arthritic pain took over. She donned a sweater in the 100-degree summer days.

Her tastebuds failing her, she often consumed beyond spoiled food unknowingly because she simply couldn’t bear to waste or throw things out.

A fighter until her last breath–fighting for those she cared about and never for herself–she loved in the ways she understood.

One hundred and five years ago my grandmother was a pink and fussy baby girl making her way into this mess of a world. Sixteen years ago she bid that same world goodbye and lives would never be the same.

I’m beyond grateful that I had the privilege of being Bertha Mae Dugan’s granddaughter and if you’re one who has fallen a bit in love with her while reading my memoir Girls, Assassins & Other Bad Ideas thank you for helping to keep a part of her alive.

Gigi & Nate

Every once in a while a story comes along that stirs us so deeply we may never quite be the same. I was fortunate to be invited to screen the new Roadside Attractions film Gigi & Nate, which releases on September 2nd. As both a die-hard film AND animal lover, it may surprise others to learn that I’m not actually a fan of films about animals. It’s weird, I know. I wasn’t expecting to love the movie, but I did.

SYNOPSIS

Gigi & Nate is the story of Nate Gibson, a young man whose life is turned upside down after he suffers a near-fatal illness and is left quadriplegic. Moving forward seems near impossible until he meets his unlikely service animal, Gigi – a curious and intelligent capuchin monkey. Although she is trained to assist Nate with his basic needs, Gigi helps Nate find what he needs most of all: hope.

Review

Gigi & Nate is a powerful offering of several stories and substories that, when allowed by the viewer, pack a powerful punch. I want to preface this opinion with some cliche phrase like in a nutshell, or at its heart, but I can’t. This story is too complex.

Inspired by a true story of a quadriplegic and capuchin monkey service animal, Gigi & Nate tells the story of Nate, a daring and adventure-filled teen boy whose life is turned completely upside down just before he is set to leave for college. The film shows us how hopeless Nate’s once bold life becomes. As his extreme disability takes its toll on every member of the family in significant ways the film does a powerful job of conveying a heaviness that (thankfully) many of its viewers can’t fathom. When Gigi comes along, a rescued capuchin monkey turned service animal, the world opens up for Nate (and his family).

As a story about a hopeless life turned once again hopeful, this is a beautiful and heartwarming story. It hits all of the notes just right. Viewers are left feeling good as the credits roll, which is likely the point. If that is all someone takes from this film, that’s enough. Beyond this very formulaic recipe for a feel-good movie though, there is so much more at play.

Again and again, this film shows us varying degrees of people without empathy vs. those who are empathetic. We see this with the “petting zoo” Gigi is rescued from. We see this in the family members terrified of the change (perceived chaos) bringing Gigi into the home could cause. Once again we see this in the people outraged at the use of service animals. In this storyline, our focus of such divides is a monkey, but beyond the movie we experience such divides every day. Today finds our real world riddled with division. Our families are more divided than ever, divorce rates are significant, and the missing ingredient in the majority of these divisions is an ability to empathize.

Additionally, Gigi & Nate offers us an honest glimpse into how trauma and grief can disconnect us from those we are closest to. Statistically more marriages and families crumble in the aftermath of significant trauma or loss than not. Anyone who has walked this fine line of tragedy understands this. While it feels as though it would be the opposite, the truth is that when we are exhausted and grieving we often don’t know how to do the vulnerable work needed to nurture those connections–sometimes this feels impossible. This film handles this very relative narrative so beautifully.

Two other subplots that really struck me were extremism and before/after connections. In the first, we meet two organized groups of people during the course of this film whose hearts are to protect animals from abuse. One is the organization that rescues Gigi and the other we see later in the film protesting service animals. The origin of both groups of people clearly came from a place of justice, concern, and outrage over abuse. The journey for each of them though went In different directions. We see the passion of one side growing into helping and hope while the other grew more narrow-minded and less compassionate. Removing animals from this scenario, this subplot resonates with so many things happening in the world around us. The latter subplot shows us powerful examples of before and after connections and how they evolve.

In closing…

Gigi & Nate is a beautiful story about the healing power of both empathy and connection. The film utilizes the opportunity to share varying (and powerful) angles within the story and characters to provide the audience with a complete and dimensional picture of what is a truly hope-filled and poignant story about a man and his service animal.

I was disappointed not to be able to attend junket interviews with cast, due to having covid, as I had so many things I wanted to ask. Gigi & Nate left me a little bit more wide open for the differences in the lives of others that I may not understand.

If you need something lovely to do this long weekend, supporting this beautiful film sounds like a win/win.